Căutaţi
Română
  • English
  • 正體中文
  • 简体中文
  • Deutsch
  • Español
  • Français
  • Magyar
  • 日本語
  • 한국어
  • Монгол хэл
  • Âu Lạc
  • български
  • Bahasa Melayu
  • فارسی
  • Português
  • Română
  • Bahasa Indonesia
  • ไทย
  • العربية
  • Čeština
  • ਪੰਜਾਬੀ
  • Русский
  • తెలుగు లిపి
  • हिन्दी
  • Polski
  • Italiano
  • Wikang Tagalog
  • Українська Мова
  • Alții
  • English
  • 正體中文
  • 简体中文
  • Deutsch
  • Español
  • Français
  • Magyar
  • 日本語
  • 한국어
  • Монгол хэл
  • Âu Lạc
  • български
  • Bahasa Melayu
  • فارسی
  • Português
  • Română
  • Bahasa Indonesia
  • ไทย
  • العربية
  • Čeština
  • ਪੰਜਾਬੀ
  • Русский
  • తెలుగు లిపి
  • हिन्दी
  • Polski
  • Italiano
  • Wikang Tagalog
  • Українська Мова
  • Alții
Titlul
Transcript
Urmează
 

Loving The Silent Tears: The Musical, Part 19 of a Multi-part Series

Detalii
Încărcaţi Docx
Citiţi mai multe
“I want that to be filled with color. Because I thought if the Sufis are in white, if these girls are all in color, then we can get like: This is all color, this is all white, the three leads are in something a little bit more colorful.” “The lead person has a costume that stands out a little bit more.” “I say whatever makes it more legit for each country, if that is to make them more beautiful...”

“This show is so unique. At this point, I think we’ve got 110 wigs in this show, which is…” “We have only one… one and a half months. I’m pretty sure that’s a record.”

“So, it’s so much fun to get to style all that kind of stuff. Costumes and wigs work very close together, figuring out the general look and how to match the colors. And some of these headpieces are heavy, so we had to make it work so that they can dance and do all these beautiful spins and tricks without affecting them. So, eventually when we get to the actual production, it’ll be backstage between every single number. They run off stage, they rip off their wig, they’ll put on a new costume, they’ll put on a new wig – we’ll make sure they look pretty – and then we’ll send them right back out. These quick changes are happening in a span of like 60 seconds, which is crazy to do 18 people in 60 seconds.”

“For Ireland, we went with the Irish step dancers’ look. It’s very bouncy. Irish step dancing is so bouncy that we wanted to make sure we had something with that kind of curl, so that it could accentuate the movement. Like, I can even just bounce this, and you can see that it moves better than something straighter would. There is a whole lot of thought that has to go into wigs, from costumes to lights to sets, the choreography, that you couldn’t do something.”

“This is Heather’s headpiece. She is our principal for Korea. But then, this is heavy! This wig itself weighs probably 10, 15 pounds. It’s so heavy. We have to balance it right in the right spot of her head because otherwise it will slip back or slip forward. We’ve been working on a solution and what we’ve come up with is a way to weave her hair behind it so that it helps push it forward and also keep her balanced.”
Vizionaţi mai multe
Toate părțile  (19/26)
1
2022-06-07
9039 vizionări
2
2022-06-10
4687 vizionări
3
2022-06-14
4605 vizionări
4
2022-06-17
4600 vizionări
5
2022-06-21
5105 vizionări
6
2022-06-24
4008 vizionări
7
2022-06-28
4185 vizionări
8
2022-07-01
3973 vizionări
9
2022-07-05
4147 vizionări
10
2022-07-08
3967 vizionări
11
2022-07-12
3980 vizionări
12
2022-07-15
3185 vizionări
13
2022-07-19
3400 vizionări
14
2022-07-22
3999 vizionări
15
2022-07-26
3507 vizionări
16
2022-07-29
3223 vizionări
17
2022-08-02
3589 vizionări
18
2022-08-05
3314 vizionări
19
2022-08-09
3137 vizionări
20
2022-08-12
3308 vizionări
21
2022-08-16
3489 vizionări
22
2022-08-19
3036 vizionări
23
2022-08-23
3089 vizionări
24
2022-08-26
3058 vizionări
25
2022-08-30
3385 vizionări
26
2022-09-02
3587 vizionări
Share
Share la
Încorporează videoclipul
Începe la
Încărcaţi
Mobile
Mobile
iPhone
Android
Vizionaţi în browser mobil
GO
GO
Prompt
OK
Aplicaţia
Scanaţi codul QR sau alegeţi sistemul potrivit pentru încărcare pe telefon
iPhone
Android